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The Social History of Smoking

George Latimer Apperson

Chapter 10:

Thackeray, as the satirist of the foolish social prejudices against smoking, was naturally an inveterate smoker himself. He died in 1863, and so hardly saw the beginning of a change in the attitude of society towards the pestilent weed; but he was one of the many men of letters and artists, who, despising the conventions of society, were largely instrumental in breaking down stupid restrictions, and in overcoming senseless prejudices, and were thus heralds of freedom. Charles Keene's attitude was that of many artists. He smoked a little Jacobean clay pipe in his "sky-parlour" overlooking the Strand, and did not care in the least what the world might think or not think about that or any other subject.

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

The "Tobacco Roll," either alone or in various combinations, was one of the commonest of early tobacconists' signs, and was in constant use for a couple of centuries. It may still be occasionally seen at the present time in the form of the "twist" with alternate brown or black and yellow coils, which up to quite a recent date was a tolerably frequent adornment of tobacconists' shops, but is now rare. This roll represented what was called spun or twist tobacco. Dekker, in James I's time, speaks of roll tobacco. The youngster who mimics the stage-gallants in Jonson's "Cynthia's Revels" as described in Chapter II (ante; page 31), says that he has "three sorts of tobacco in his pocket," which probably means that it was customary to mix for smoking purposes tobacco of the three usual kinds-roll (or pudding), leaf and cane. One would have thought that a representation of the tobacco plant itself would have been a more natural and comprehensive sign than one particular preparation of the herb, yet representations of the plant were rare, while those of the compressed tobacco known as pudding or roll in the form of a "Tobacco Roll," as described above, were very frequently used as signs.

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